A great little spot I wrote for the wonderful folks at Saatchi & Saatchi.
How do you make a TV ad for less than $20K? This is how.
What do you say about a credit card with 0% interest yet people will have zero interest in? Easy, just add something they will be interested in.
Rude ambient.
A tidy bit of art direction. This was created during lockdown. It was supposed to be shot but we ended up having to create almost everything from scratch. The house was real but everything else wasn’t. Including the sky.
Would you believe the St.George Little Dragon Spray Tan spot is their most successful ad OF ALL TIME?! Mental.
I know it’s Snapchat and no-one uses Snapchat nowadays but I like these two spots even though I don’t really like Snapchat. Although apparently, I like saying Snapchat.
A sweet little Christmas spot shot in an inner west Sydney house when it was 25 degrees outside.
What’s that? You want to see some Bank of Melbourne work without some long winded rationale? Oh alright then, here you go.
One day, 10 shots. And it just happened to be on my birthday. The food was prepared by Neil Perry's chef and shot with very little fuss by Janyon Boshoff. It was then devoured by myself and the client in what has been described as 'total gluttony'.
I was blüddy pleased with this campaign.
An interesting campaign. Particularly amusing is how the client thought it funny that there's a dog's arse in one execution. I've added in a couple of scamps that didn't quite make the cut because I can.
Illustrations by The Project Twins.
We originally planned to use real money for this ad. But, as the whole thing was shot in camera, each letter needed about half a million dollars. So we used fake money.
Most people with kids have written a kids book. I managed to take it one step further and got mine published. Well, when I say 'published' I mean 'self-published'. And when I say 'got mine' I mean 'paid for myself'. Still it's bloomin' good. Even if I say so myself.
A TVC for Woolies House Rules spot. A very simple execution that performed exceptionally well.
The client loved it and the script was unchanged from the original presentation.
The reason I like these ads so much is the wonderful images shot by Michael Corridore.
Sometimes it’s the little jobs that make you happy.